PORST 135 S REWORK

I decided that the Porst 135 S book needed to be reworked as the photos were some of the best photos and most interesting images I took overseas last year. I felt that they could be a real folio piece, which it has turned into, I very happy with the end product.

These are some of the photographs that make up Porst 135 S. The majority of the images that are in the book are from my second time in Berlin last year, but other the cities that are in it are Krakow and London. All these images are from Berlin.

TRANSPARENT

Transparent is made up of images that came from a roll of E6 Transparency  film I shot before I went overseas last year. I completely  forgot about the roll of film, so when I got it developed I was really excited to see what was captured on it, it was a huge let down on first inspection they were not interesting. It felt that I just ran out of time so I just began to wast film buy shooting anything. But as I scanned in images I found ones that really worked together. I used tracing paper to mimic the feeling of slide film.

148 x 210 mm / saddle stitched / tracing paper/ 16 pages / Edition of 3

INTROVERTED BOOK TWO

INTROVERTED BOOK TWO  is an insight into my visual diary, each time I finish a visual diary I make a zine out of the best bits. It takes me a while to finish a visual diary. Black on Black front cover.

148 x 210 mm / saddle stitched / Optix Black  front cover, Reflex White pages inside/ 20 pages / Edition of 3

DISPOSABLE UNITS 01

DISPOSABLE UNITS 01  comprises of images taken on a disposable camera I got from Coles at the end of 2009, just because they were selling them for like $4.00 instead of like $26.00 or whatever ridicules price they usually sell them for.  The images are from the end of 2009, and the start of 2010, the zines starts in Melbourne then I went to Sydney for a weekend and then back to Melbourne.

148 x 210 mm / saddle stitched / Reflux Sand paper / 40 pages / Edition of 6

DISPOSABLE UNITS 02

DISPOSABLE UNITS 02  was shot over three days. The first day was a birthday party in St Kilda, with friends from high school. It was cool getting the film developed because I do not remember that night. The second day was when Jack got home from being  overseas for five and a half months, so we went to Duke Street and drank gin n tonics because Jack bought like 2-3L of Gin duty free. The third which is the final shot is in St Kilda Botanical Gardens when Jack Emily and I drank beers. The whole zine is just documenting nights fueled by alcohol.

148 x 210 mm / saddle stitched / Reflux Yellow paper / 40 pages / Edition of 3

148 x 210 mm / saddle stitched / Reflux Pink paper / 40 pages / Edition of 3

BLACK & WHITE
TIMOTHY COGHLAN
TWENTY ONE EXPOSURES

BLACK & WHITE  is the documentation of images that were captured on Kodak Professional 400 T-Max Black and White Film. It took four days at the end of January to finish the roll of film. Lachie and I decided to start going on missions to take photographs of places that interested us, the first place we went to was Altona where there are all the large oil refineries , that was day two of the roll of film. I have made a five copies of BLACK & WHITE my copy is section sewn book that I use in my folio, while the other four and just saddled stitched zines, to be given to people.

BOOK

176 x 240 mm / Section Sewn / Envior Care / 48 pages / Edition of 1

ZINE

176 x 240 mm / Saddle Stitch / Envior Care / 48 pages / Edition of 4

ZINE

The zine comes with a yellow slip jacket

ISO 125

ISO 125  is based on time, I had just seen Gaspar Noé’s film Irréversible and at the end of the film in massive Helvetica letters flashes the words Le Temps Detruit Tout, which translates to Time Destroys Everything, I like this idea as it is so true, time will prevail over us. ISO 125 is about documenting abandon buildings around Melbourne. It also is the second mission that Lachie and I went on. We got into a massive  abandon ware house out in the docklands, it took us almost four hours to explore it. It was full of rubbish but also old rowing  boats, cars, bob sleds, nautical equipment, industrial saws, car engines. Also with this roll of film it became clear that the camera I use is broken, it can not tell the speed of the film, which results in images being under exposed or over exposed. It creates cool effects some times but other times I lose whole shots, I now have to look into getting a new film camera.

176 x 240 mm / Saddle Stitched / Envior Care / 48 pages / Edition of 5

A JOURNEY WITH KAREL MARTENS

I was very fortunate to partake in a work shop with Dutch designer Karel Martens the other week. It was 3 x 4 hour classes with him. in the time we were all contributing 8 pages to a publication about a journey, that would be that produced on a Risograph Machine then perfect bound. My journey was about my six month trip overseas last year, it felt cliched at first but I had to do it because the trip was such a significant  event in my life. My idea was to select certain events that would not be common to anyone else’ trip overseas. When I landed into LA I had every intention to keep a journal after three days I gave up, so instead I would collect everything, keep receipts, and take thousands of photographs (in the end I took 80 gig worth of photos-I am still yet to go through them all). My eight pages have inspired me to get a move and start making a book  or books about my time overseas last year (this will be the next project I start and hopefully finish very soon).

All images were photgraphed using 35 mm film and then scanned in, no digital imagery in these books/zines.

I think I am going to just make books for a while.

This has taken 4.5 hours to upload all this, hope you dig most of it.

HAPPY BIRTHDAY, hope it didn’t take too long to get ya gat.

3204 FUCK THE REST OF ‘EM

8*

Unknown.

CHRISTMAS CARDS

While overseas I drew this burglar character overseas because I saw this image of equipment you need to pull of a burglary. So I kept on drawing burglars, this is the final image I drew while overseas, when I got home I was always going to make Christmas cards and then screenprint them-I could never come up with a really concise image for a christmas card so I decided to do a public awareness card telling people to always lock up before you go out or else Billy Bonez the name of my Burglar would do a number on you. I printed 20 of them I found it very stressful because not one was ever perfect enough for an addition, so each one is unique in its own right. Lucky you if you got one.

EXORCISM

Exorcism was going to be part of a bigger publication kind of like DOCUMENTATION AE-1 PROGRAM heaps of random images complied into a book, but time was against me for the following publication PORST 135 S, which was more important, but I am in the process of making the new publication. I like Exorcism it  just looks dope printed on tracing paper and feels really eerier. Out of anything I have done besides the Christmas Cards this one I have made an edition of 4, so there are 4 up for grab holla if you want one.

EXORCISM

148 x 210 mm / saddle stitched / tracing paper/ 12 pages / Edition of 4

PORST 135 S

While overseas jack and I bought these really nice compact point and shoot cameras called Porst. They cost only 20 euros each and I was really keen to get some of my trip overseas on 35mm film. This is a documentation of both rolls of film that I shot at the end of my trip with Jack through Germany and Poland. The larger publication is a documentation of our time in Berlin I reckon these are some of the best photos I took while abroad.  I had sewed the book and glued it, first time I have glued a book and it worked perfect.

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DESKTOP OVERLOAD

MERRY CHRISTMAS Y’ALL
ALWAYS KEEP ON DOING THE KNOWLEDGE

PEACE

CLICK ON IMAGES TO VIEW AT FULL SIZE

Everything I am taking abroad from London into Europe, again. No room for anything to come back.

BONES BRIGADE

I left New York almost 3 months ago, and have been in Europe since then. I was going to put up  heap of Europe photos  but there is too many to go through so here is the rest of my NYC trip. Such a killer time there. Spent way to much money there though, but its all good.  Thanks to James John.

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WHEN MAN BECOMES A TRUE LORD

‘My only advice is drink it quick…’

40 OUNCES OLDE ENGLISH 800 MALT LIQUOR

A TRUE LORD REIGNS SUPREME

This was the last photo I took in NYC.

I had such a killer time in NYC, bought heaps of stuff, drunk so much, saw a heap of cool bands, just lived it up. It was better than 2007, and that was a shreddin’ time to, until next time New York PEACE OUT

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UNTIL NEXT TIME PEACE

Like many people who try and keep an indepth journal updated while overseas I have found it hard to keep this updated purley based on the fact that I have take so many photos, I think I am almost pass the 10 000 mark for how many photos I have take in the last 4 months. They will never make it here as they original format, as there is way to many, the only way some will make here is when I have documented all the books and zines I plan to make from this trip. So if your keen on a forth coming zine holla at me and I’ll hook you up.

NEW YORK

CLICK ON IMAGES FOR LAGER SIZE

WASHINGTON

If you can read this, then thank your english teacher. If you can read this in english, then thank a Veteran

PHILADELPHIA

More images to come

Up date coming soon

NEW YORK

2010// KEEPIN’ IT REAL